例句與造句

1. The group's cinematography award went to Stefan Czapsky, for his richly varied black-and-white work in " Ed Wood ."
2. Burton and his cinematographer, Stefan Czapsky, demonstrate this fact by lovingly re-creating in black and white Ed ( Johnny Depp ) at work on " Glen or Glenda ?"
3. Though the real Wood scenes looked starkly awful, " Ed Wood " is an unobtrusively gorgeous black and white film ( expertly shot by Stefan Czapsky, Burton's usual fine cinematographer ) with a wide range of striking visual effects.
4. Directed by Tim Burton; written by Scott Alexander and Larry Karaszewski, based on a biography by Rudolph Grey; director of photography, Stefan Czapsky; edited by Chris Lebenzon; music by Howard Shore; production designer, Tom Duffield; produced by Denise DeNovi and Burton; released by Touchstone Pictures.
5. Directed by Danny DeVito; written by Nicholas Kazan and Robin Swicord, based on the book by Roald Dahl; director of photography, Stefan Czapsky; edited by Lynzee Klingman and Brent White; music by David Newman; production designer, Bill Brzeski; produced by DeVito, Michael Shamberg, Stacey Sher and Liccy Dahl; released by Tri-Star Pictures.
6. It's difficult to find stefan czapsky in a sentence. 用stefan czapsky造句挺難的
7. Shot in luscious black and white ( by Stefan Czapsky, who photographed Burton's " Batman Returns " and " Edward Scissorhands " ) and performed-- except for one outstanding exception-- in flat, cartoony dimensions despite being the director's first true-life movie, " Wood " is even more Burtonesque in the thematic details.
8. Where Burton's ideas end and those of his collaborators begin is impossible to know, but the result is a seamless, utterly consistent universe full of nasty notions about societal deterioration, greed and other base impulses . " He praised the contributions of Stan Winston, Danny Elfman, Bo Welch and cinematographer Stefan Czapsky, and in terms of performances, opined that " the deck is stacked entirely in favor of the villains ", calling DeVito " fascinating " and Pfeiffer " very tasty ."
9. Janet Maslin in " The New York Times " thought that " Mr . Burton creates a wicked world of misfits, all of them rendered with the mixture of horror, sympathy and playfulness that has become this director's hallmark . " She described Michael Keaton as showing " appropriate earnestness ", Danny DeVito as " conveying verve ", Christopher Walken as " wonderfully debonair ", Michelle Pfeiffer as " captivating . . . fierce, seductive ", Bo Welch's production design as " dazzling ", Stefan Czapsky's cinematography as " crisp ", and Daniel Waters's screenplay as " sharp ."
10. David has also been privileged to work with some of the finest production and post-production talent around : the Academy Award-winning director Errol Morris ( who won an Academy Award for The Fog of War ), cinematographers John Bailey, ASC ( whose critically acclaimed cinematography on films like Mishima and American Gigolo has been deeply influential ), Lance Gewer ( who photographed the Academy Award-winning Tsotsi ) Robefrt Chappell ( The Thin Blue Line; The Fog of War ) and Stefan Czapsky ( best known for his photographing Tim Burton s Edward Scissorhands and Ed Wood ), editors Brad Fuller ( Gary Oldman s Nil by Mouth and Tom Swartwout ( who edited the legendary director Sydney Lumet s last film, Before the Devil Knows You re Dead ), composers Philip Glass ( Mishima; The Hours ) and Asche and Spencer ( Monster s Ball ) re-recording mixer and sound designer Randy Thom ( the Harry Potter films ), and sound recordist Peter Handford ( a regular on Alfred Hitchcock s  British movies, as well as The Go-Between, Out of Africa, Frenzy and Heaven s Gate ).